From 27-29 October, 2015, join us in Hollywood at SMPTE 2015 Annual Technical Conference - the world’s premier forum for the exploration of media and entertainment technology.
Colorfront is on booth 311.
Loews Hollywood Hotel •
Ray Dolby Ballroom •
1755 N Highland Ave. •
Hollywood, California 90028
HONORABLE MENTION FOR COLORFRONT AT HPA AWARDS
Colorfront will receive an Honorable Mention citation for its Interactive HFR Frame-Blending, which features real-time, interactive HFR frame-blending with a simple slider interface to control the amount of motion blur of a moving object.
Top facilities from around the world are already using Colorfront Transkoder:
Academy Award and Emmy Award winning software developer Colorfront provides pioneering high-resolution on-set digital processing systems for the most demanding feature film and TV productions.
Transkoder 2016 is the latest release of Colorfront's standalone mastering system for digital cinema and high-end UHDTV production.
Transkoder is based on Colorfront’s award winning On-set Dailies architecture and uses cost-effective, commodity hardware, to deliver faster-than-real-time processing to transcode, decode, convert, wrap and process files to various high-end file formats.
Colorfront Transkoder is the ultimate tool for DCP and IMF mastering,
including: the industy's highest performance JPEG2000 encoding and
decoding, 32-bit floating point processing on multiple GPUs, MXF wrapping,
accelerated checksums and AES encryption and decryption, IMF/IMP and DCI/DCP
package authoring, editing, transwrapping.
Transkoder 2016 adds features such as dual 4K outputs for simultaneous HDR and SDR mastering, Dolby Atmos audio and Dolby Vision encoding,
automatic calculation of MaxFALL / MaxCLL values for SMPTE ST 2086:2014 HDR metadata, Civolution forensic watermarking, AS-11 - DPP output, audio level meter and vectorscope.
Advanced DCP/IMF mastering features include SMPTE TT, closed caption and subtitle support, including keyframe animated PNG and text based subtitles, bitrate and PSNR analysis, two pass encoding with PSNR and bitrate targeting, package validation with logging and reporting and international language support.
As heavy OSD users for years we know first hand how powerful and easy to use the Colorfront Engine is.
Transkoder adds flexible timeline editing and advanced mastering options to that.
Being able to use all that power and flexibility for SMPTE/Atmos DCP creation is great!
Thomas Ramin, CTO Cinepostproduction
UNIQUE TOOLS AND EXTREME PERFORMANCE IN COLORFRONT 2016 PRODUCT SHOWCASE
Budapest, August 17, 2015 – Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, debuted Colorfront Engine for Nuke – a new, integrated, image-processing workflow with color transformation plug-in tools for The Foundry’s Nuke and Nuke Studio visual effects (VFX) compositing systems. |
Colorfront Plugs Into NUKE
Highest quality RAW deBayering from any camera from ALEXA65 to Varicam 35
Colorfront Engine –
32-bits per channel managed look pipeline built on ACES 1.0
NexGuard forensic watermarking from Civolution with extreme performance even in 4K
Dolby Vision support and industry leading HDR mastering tools
Dolby Atmos –
Transkoder is certified to create DCPs with Dolby Atmos audio
2x UltraHD 4K –
dual real-time 4K video outputs for concurrent HDR / SDR mastering
PC, Mac, AWS –
Running on off-the-shelf workstation, no obsolescence-prone, proprietary hardware
Colorfront Engine White Paper
A state-of-the art, automatically managed, ACES-compliant color pipeline which brings plug and play simplicity to today’s complex production requirements, Colorfront Engine enables unlimited creative look creation and ensures image integrity from on-set to the finished product.